Between Innocence and Guilt

Two portraits capture the inner conflict between innocence and guilt. Not as a battle, but as two sides of the same person. One looks away, the other looks straight ahead. One retains sensitivity, the other takes on responsibility. Together, they tell the story of a person who has gone through experiences and remained true to themselves. Not perfect, but sincere. Not without mistakes, but without escaping from themselves.

Innocent Guilty

She looks to the side, calm and focused. Her gaze is neither defensive nor challenging; it is a quiet presence.
Innocent here does not mean unmarked. It means preserved sensitivity, the ability to perceive and feel despite the traces that remain. The colors on her body are not decoration, but memory.
The painting captures a moment when gentleness does not cease to exist, even when she already knows everything. 

Guilty

She looks straight ahead. She does not avert her gaze or her meaning. Guilty here is not an accusation, but an acknowledgment, an awareness of her own decisions, mistakes, and their consequences.

The colors on her body are traces of what has been experienced and accepted. She is not without guilt, but she is whole. The painting captures a moment when a person stops seeking excuses and begins to stand fully for themselves.